Totemism

This blog is dedicated to the first rate performer, singer and musician Diamanda GalΓ‘s. Diamanda GalΓ‘s (born August 29, 1955) is a Greek-American avant-garde composer, vocalist, pianist, performance artist and painter. Known for her expert piano as well as her distinctive, operatic voice, which has a three and a half octave range, GalΓ‘s has been described as "capable of the most unnerving vocal terror". GalΓ‘s often shrieks, howls, and seems to imitate glossolalia in her performances. Her works largely concentrate on the topics of suffering, despair, condemnation, injustice and isolation. She has worked with many avant-garde composers, including Iannis Xenakis, and Vinko Globokar. Greatness exists independent of most peoples judgement or opinion. We only listen to the wise. The fools have no vote, this is not a democracy. Photos are published by the kind permission of the artist. Her official website: http://diamandagalas.com/

π•²π–—π–Šπ–†π–™ π•·π–†π–‰π–ž 𝖔𝖋 π•΄π–“π–‹π–Žπ–“π–Žπ–™π–Š π•Ύπ–”π–—π–—π–”π–œ

Kategori: Diamanda GalΓ‘s

π–—π–†π–œ π–Šπ–˜π–˜π–Šπ–“π–™π–Žπ–†π–‘π–˜. 𝖆 π–‘π–†π–‰π–ž 𝖆𝖓𝖉 π–π–Šπ–— π–•π–Žπ–†π–“π–”. 𝖆𝖓 π–”π–ˆπ–Šπ–†π–“ 𝖔𝖋 π–˜π–”π–šπ–“π–‰. π–™π–π–Š 𝖗𝖔𝖆𝖗, π–™π–π–Š π–‹π–šπ–—π–ž 𝖆𝖓𝖉 π–™π–π–Š π–˜π–Žπ–‘π–Šπ–“π–ˆπ–Š. π–œπ–Š π–†π–—π–Š π–ˆπ–†π–—π–—π–Žπ–Šπ–‰ π–™π–π–—π–”π–šπ–Œπ– π–™π–π–Š π–™π–Šπ–’π–•π–Šπ–˜π–™ 𝖔𝖓 π–™π–π–Š π–ˆπ–—π–Šπ–˜π–™ 𝖔𝖋 π–™π–π–Š π–œπ–†π–›π–Š. 𝖆 π–‰π–Šπ–†π–™π–/π–‘π–Žπ–‹π–Š π–—π–Žπ–‰π–Š π–œπ–Žπ–™π– 𝖆𝖓 π–Žπ–“π–‹π–Žπ–“π–Žπ–™π–Š π–“π–šπ–’π–‡π–Šπ–—π–˜ 𝖔𝖋 π–˜π–šπ–‡π–™π–‘π–Š π–˜π–π–†π–‰π–Šπ–˜. π–π–Šπ–— π–›π–”π–Žπ–ˆπ–Š π–’π–Šπ–‘π–™π–˜ π–‡π–”π–“π–Šπ–˜ π–†π–˜ π–™π–π–Šπ–ž π–ˆπ–”π–†π–Œπ–šπ–‘π–†π–™π–Š π–‘π–Žπ–π–Š 𝖆 π–—π–Žπ–›π–Šπ–— 𝖔𝖋 π–‡π–—π–”π–π–Šπ–“, π–ˆπ–—π–Žπ–’π–˜π–”π–“ π–ˆπ–”π–‘π–”π–—π–Šπ–‰ π–Œπ–‘π–†π–˜π–˜. π–π–Šπ–— π–ˆπ–π–”π–—π–‰π–˜ π–—π–Žπ–•π–˜ π–˜π–π–Žπ–“ π–œπ–Žπ–‰π–Š π–”π–•π–Šπ–“. π–Œπ–—π–Šπ–†π–™ π–‘π–†π–‰π–ž, π•Ίπ–šπ–— π•·π–†π–‰π–ž 𝖔𝖋 π•­π–—π–”π–π–Šπ–“ π•Ύπ–•π–Žπ–“π–Šπ–˜, π–˜π–†π–’π–šπ–—π–†π–Ž π–˜π–•π–Žπ–—π–Žπ–™. π–˜π–•π–Žπ–—π–Žπ–™ 𝖔𝖋 π•΄π–™π–Ÿπ–•π–†π–•π–†π–‘π–”π–™π–‘ - π–ˆπ–‘π–†π–œπ–Šπ–‰, π–”π–‡π–˜π–Žπ–‰π–Žπ–†π–“ π–‡π–šπ–™π–™π–Šπ–—π–‹π–‘π–ž, π–•π–†π–•π–Žπ–‘π–‘π–”π–“ 𝖉'π–”π–‡π–˜π–Žπ–‰π–Žπ–Šπ–“π–“π–Š, π–’π–†π–—π–Žπ–•π–”π–˜π–† π–‰π–Š π–“π–†π–›π–†π–π–†π–˜ π–‰π–Š π•Ώπ–†π–’π–”π–†π–“π–ˆπ–π–†π–“. π–ˆπ–—π–ž 𝖋𝖔𝖗 π–šπ–˜ π–—π–Žπ–›π–Šπ–—π–˜ 𝖔𝖋 𝖇𝖑𝖔𝖔𝖉 & π–˜π–”π–Žπ–‘ π–ˆπ–—π–ž 𝖋𝖔𝖗 π–šπ–˜ π–—π–Žπ–›π–Šπ–—π–˜ 𝖔𝖋 π–Žπ–“π–‹π–Žπ–“π–Žπ–™π–Š π–˜π–”π–—π–—π–”π–œ & π–Šπ–“π–‰π–‘π–Šπ–˜π–˜ π–™π–”π–Žπ–‘...

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